Entry tags:
MAILBOX; inbox
House 1411
"Hello? Hello?? I'm sorry, there's nobody home right now. [ obnoxious peal of laughter: go ]
Ahh, that's right! Leave a message, and I'll get back to you. Right? That's how it goes? Aha, no telemarketers, please!
If you run up my bill, I'll have to ask you to pay the extra costs.
[ BEEP ]
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Sometimes, dreams can be the scariest things we'll ever see. [ they'll last for nights, for months, for years and years. ] But you know what?
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she tilts her head up, looking up to the older man with questioning eyes. )
. . . What?
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[ a pause, before his smile broadens, warm. ]
I'm here. And so long as I am, so long as we are, you're safe.
I promise.
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when heine comforts her, he holds her fiercely and in thinly-veiled desperation, not with the idea of safe but the idea that there was no current danger. lily doesn't know how to react to safe, and she knows how to respond even less to this—warmth, even though it's not heine, sakamoto's words make her warm.
but it's not heine. it's not heine, heine is the one who keeps her safe, heine is the one who needs to be here for her, it's heine.
in her prolonged pause, lily's face returns to its normal, pale shade ( so unblessed without the sun's influence ) and after a longer pause than that, she finally speaks. )
. . . Heine. . . protected us before. Me and Giovanni. He. . . ( it's hard to find the words to convey her thoughts, ) He always. . . protected me, when I got scared. . . . ( she's too afraid to say: but he's not here now, he doesn't want to be here and he won't be here anymore, because if she says it, then it'll become true. )
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He must be strong. Brave, too. [ just as scared, maybe, in his own way, if he was anything like lily or badou or nill. the frightened were always more brave with another to worry for. ]
You're using the past tense. Why?
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( she trails off, grows quiet. she doesn't know, she could tell the truth—or she could say something else. finally, she settles on: ) It's different now.
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How is it different?
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words are stuck to her throat, and she just looks down, withdrawing emotionally—the blue in her eyes is distant, like she's looking into a far off place that happens to be in the same location as the couch cushion, and dim, like there isn't a light anymore. )
( slowly, she says only this: ) . . . . He. . . . said so.
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is carol pushing him too far in trying to fix this, trying to get him to talk to his sister again?
but the state of lily without him is too much for carol to handle. does that make her selfish?
it's all just -- too much.
heavy frown notching her brow, mind reeling with that overwhelming and too-familiar cocktail of guiltworrysadness, carol's eyes start to droop shut.]
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[ he reaches out with a careful hand, brushing at pale strands of hair, a gentle stroke of her head. slow and steady. he could afford to be so, right now. he could afford to wait. ]
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