Entry tags:
MAILBOX; inbox
House 1411
"Hello? Hello?? I'm sorry, there's nobody home right now. [ obnoxious peal of laughter: go ]
Ahh, that's right! Leave a message, and I'll get back to you. Right? That's how it goes? Aha, no telemarketers, please!
If you run up my bill, I'll have to ask you to pay the extra costs.
[ BEEP ]
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I'm. . . ( scared. tired. relieved, to see another person whose presence makes her feel a little better. finally, she settles on: ) . . . okay. The sun was painful but it doesn't hurt so much anymore. ( that's a safe topic to be on, surely, she can act like that's what he means. )
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she trails sakamoto to the couch, leaning over the back of it to give lily's silk-soft hair a tiny ruffle.]
We learned the virtues of sunscreen and hats, didn't we, Lily? And ice cream. Of course.
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[ when he approaches, he circles around the sofa, looking to Lily as if for permission. may i sit? ]
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[--comes the affirmation from carol, elbow on the couch back, resting her cheek in her hand. it's good to see lily responding like this, after the trying time they've had lately.
when push comes to shove, sakamoto's got a way with everyone, it seems. the thought makes her smile to herself, tired and edging on goofy.]
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[ he seats himself with care, sinking a little into cushions with a surprised 'uwoah!' and a laugh, catching himself with an arm thrown over the back of the couch itself. better? better. ]
Ahh, did you miss me? Carol's too tsundere to admit to it, but I can trust you with an honest answer, right?
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( before looking back at sakamoto, deliberating her answer—it comes out shier than she'd have liked it to, when she tugs his jacket over her a bit more and nods. ) Mmm, I missed you! It's nice to see you again, Tatsuma.
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she waits obligingly for lily to answer, then leans down, to wrinkle her nose at sakamoto.]
Excuse me, but Carol is too what-now?
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[ merrily, the easiest and most blatant dodge he's ever made in his life. carol even gets one of his brighter smiles, all sunny and dazzling like he's about to go through with the biggest deal in the Kaientai's history.
and, slowly, he turns back to lily. (not without a healthy dose of relief.) ]
I'm very happy to hear.
[ that's when he reaches out, hands held out in invite, slow and careful as can be. ]
Sit with me awhile?
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( she blinks, looking back from tatsuma to carol, trying to understand—taking the statement literally. but—no, she's not really a flower. besides, how could one be a flower of womanhood? what did flowers of womanhood look like? so this is a metaphor, clearly— ) Ahh, she's pretty!
( and again, her reaction is a bit shy, because it's still something new, but she's still quick to take the hand—she'll take every comfort she can get—and nods. )
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the way things are going, maybe it won't be too long.]
Oh, Lily. You're so much nicer to me than my other kid.
[they're having a moment, it looks like, and carol thinks vaguely that maybe she should go fix herself some more coffee or something and leave them to it, but she's too tired, and the temptation to watch them interact is too strong. so she just folds her arms and snuggles her face into them, hanging like a limpet off the back of the couch.]
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he hopes it'll be long enough. ]
Isn't she, Lily? [ a laugh, a flash of a grin to carol but all his attention is focused on lily, on this little girl in his coat. ]
Have you been settling in? Eating enough? Sleeping enough?
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( and she nods again in response to the questions—however, stalling on the last one, her gaze dropping down. ) Uhm. . .
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pot calling the kettle black maybe, lately, but it's more important for lily.
anyway, he knows. she told him and he came right over, and if anybody knows the right thing to say to make everything work out okay, it's sakamoto. maybe that's a stupid amount of trust to place in him, but from where carol's standing, he's earned it.
she stays quiet.]
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[ his tone is gentle, has been from the start and hasn't changed yet. as he speaks, he lowers his head, tilts it to the side, inquisitive, curious. concerned. gives her hand a little squeeze, reassurance. it's okay. ]
Something wrong? Is it dreams?
[ he goes nowhere near the Heine Issue, not yet. besides, he can commiserate on the bad dreams scenario.
there's nothing harder to shake off. ]
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. . . They're scary. . . .
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Sometimes, dreams can be the scariest things we'll ever see. [ they'll last for nights, for months, for years and years. ] But you know what?
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she tilts her head up, looking up to the older man with questioning eyes. )
. . . What?
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[ a pause, before his smile broadens, warm. ]
I'm here. And so long as I am, so long as we are, you're safe.
I promise.
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when heine comforts her, he holds her fiercely and in thinly-veiled desperation, not with the idea of safe but the idea that there was no current danger. lily doesn't know how to react to safe, and she knows how to respond even less to this—warmth, even though it's not heine, sakamoto's words make her warm.
but it's not heine. it's not heine, heine is the one who keeps her safe, heine is the one who needs to be here for her, it's heine.
in her prolonged pause, lily's face returns to its normal, pale shade ( so unblessed without the sun's influence ) and after a longer pause than that, she finally speaks. )
. . . Heine. . . protected us before. Me and Giovanni. He. . . ( it's hard to find the words to convey her thoughts, ) He always. . . protected me, when I got scared. . . . ( she's too afraid to say: but he's not here now, he doesn't want to be here and he won't be here anymore, because if she says it, then it'll become true. )
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He must be strong. Brave, too. [ just as scared, maybe, in his own way, if he was anything like lily or badou or nill. the frightened were always more brave with another to worry for. ]
You're using the past tense. Why?
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( she trails off, grows quiet. she doesn't know, she could tell the truth—or she could say something else. finally, she settles on: ) It's different now.
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How is it different?
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words are stuck to her throat, and she just looks down, withdrawing emotionally—the blue in her eyes is distant, like she's looking into a far off place that happens to be in the same location as the couch cushion, and dim, like there isn't a light anymore. )
( slowly, she says only this: ) . . . . He. . . . said so.
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is carol pushing him too far in trying to fix this, trying to get him to talk to his sister again?
but the state of lily without him is too much for carol to handle. does that make her selfish?
it's all just -- too much.
heavy frown notching her brow, mind reeling with that overwhelming and too-familiar cocktail of guiltworrysadness, carol's eyes start to droop shut.]
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